
In the past, the isekai genre seemed to be bursting with possibilities and potential. Anime like “Re:Monster” or “Tensei Shitara Slime Datta Ken,” among others, led us to believe that we were witnessing the emergence of a new genre whose range of possibilities would eventually give rise to increasingly incredible stories. But alas, that’s not what happened. Today, isekai has become a recycled genre where the only thing that matters is having a protagonist who gains powers one after another, and possibly, a harem to boot. The latest proof of this? “Re:Monster.”
Every quarter, I make it a habit to review the most popular anime on Crunchyroll Spain, mainly to see which new anime are making the most significant impact among fans. And yes, obviously something like “Kaiju No. 8” has already established itself as a show with many followers. But guess what? Right now, “Re:Monster” is ahead in terms of popularity on the streaming platform.

If so many people are watching it, then “Re:Monster” must have something good going for it, right? The same could be said for the burgers at certain fast-food restaurants, and I think we all know the answer to that. But is “Re:Monster” really as ‘bad’ as I’m making it sound? The problem isn’t necessarily that it’s bad; I’m not going to claim that it’s a terrible anime. The issue is that, like so many other isekai, it achieves a lot with very little:
In conclusion, Re:Monster is a clear example of how the isekai genre has become a formulaic and over-saturated category in the anime world. Despite its popularity, it’s essential to critically analyze the elements that make up this type of anime and question whether they contribute to the medium’s growth and evolution.






